A man tells a woman that they have met before - that they became lovers
but then agreed to separate for a year. The year is now up, and he has
come back for her. At first, she remembers nothing, but as he relates
their past together, real or imaginary, snapshots of memory appear - and
she begins to believe him. As more details begin to re-emerge from the
woman's mind, the reader is shunted backwards and forwards between the
past and the present, the actual and the illusory, that which is seen
and that which is only glimpsed and guessed at.
The director Alain Resnais was already famous for films such as
Hiroshima, Mon Amour when he asked Alain Robbe-Grillet - the author of
several seminal novels, including Jealousy and The Voyeur, and the
leader of the Nouveau Roman school - to write a script for him. The
result was Last Year at Marienbad, a film that, as well as winning the
Golden Lion at the 1961 Venice Film Festival, has enthralled the
critics, fascinated the public and become one of the greatest cult
classics of modern cinema.