The melancholy folklore of exile, as Roberto Bolano once put it,
pervades these fourteen haunting stories. Bolano's narrators are usually
writers grappling with private (and generally unlucky) quests, who
typically speak in the first person, as if giving a deposition, like
witnesses to a crime. These protagonists tend to take detours and to
narrate unresolved efforts. They are characters living in the margins,
often coming to pieces, and sometimes, as in a nightmare, in constant
flight from something horrid.
In the short story Silva the Eye, Bolano writes in the opening sentence:
It's strange how things happen, Mauricio Silva, known as The Eye, always
tried to escape violence, even at the risk of being considered a coward,
but the violence, the real violence, can't be escaped, at least not by
us, born in Latin America in the 1950s, those of us who were around 20
years old when Salvador Allende died.
Set in the Chilean exile diaspora of Latin America and Europe, and
peopled by Bolano's beloved failed generation, the stories of Last
Evenings on Earth have appeared in The New Yorker and Grand Street.