A Lacanian approach to murder scene investigation.
What if Jacques Lacan--the brilliant and eccentric Parisian
psychoanalyst--had worked as a police detective, applying his theories
to solve crimes? This may conjure up a mental film clip starring Peter
Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes
a serious and provocative claim: that apparently impenetrable events of
violent death can be more effectively unraveled with Lacan's theory of
psychoanalysis than with elaborate, technologically advanced forensic
tools. Bond's exposition on murder expands and develops a resolutely
Zizekian approach. Seeking out radical and unexpected readings, Bond
unpacks his material utilizing Lacan's neurosis-psychosis-perversion
grid.
Bond places Lacan at the crime scene and builds his argument through a
series of archival crime scene photographs from the 1950s--the period
when Lacan was developing his influential theories. It is not the horror
of the ravished and mutilated corpses that draws his attention; instead,
he interrogates seemingly minor details from the everyday, isolating and
rephotographing what at first seems insignificant: a single high heeled
shoe on a kitchen table, for example, or carefully folded clothes placed
over a chair. From these mundane details he carefully builds a robust
and comprehensive manual for Lacanian crime investigation that can stand
beside the FBI's standard-issue Crime Classification Manual.