The music industry is dominated today by three companies. Outside of it,
thousands of small independent record labels have developed despite the
fact that digitalization made record sales barely profitable. How can
those outsiders not only survive, but thrive within mass music markets?
What makes them meaningful, and to whom? Dominik Bartmanski and Ian
Woodward show how labels act as taste-makers and scene-markers that not
only curate music, but project cultural values which challenge the
mainstream capitalist music industry. Focusing mostly on labels that
entered independent electronic music after 2000, the authors reconstruct
their aesthetics and ethics. The book draws on multiple interviews with
labels such as Ostgut Ton in Berlin, Argot in Chicago, 100% Silk in Los
Angeles, Ninja Tune in London, and Goma Gringa in Sao Paulo. Written by
the authors of Vinyl, this book is essential reading for anyone with an
interest in the contemporary recording industry, independent music,
material culture, anthropology, sociology, and cultural studies.