The last works of the last great classic European poet now available
in English.
In his 96th and final year, and with the help of the poet José-Flore
Tappy, celebrated Swiss poet Philippe Jaccottet finished two
manuscripts-in-progress, one in prose and one in poetry, both of which
are presented in this volume in John Taylor's sensitive translation.
The first work, "La Clarté Notre-Dame," takes off from the "pure,
weightless, fragile, yet crystal-clear tinkling" of a monastery bell
heard during a walk with friends. With this thought-provoking sound as a
leitmotiv, Jaccottet looks back on a life of writing, reading, and
scrutinizing humankind's existential and spiritual aspirations. He sets
these concerns against his equally lifelong preoccupation with "the rise
of evil in today's world," notably in Syria. Composed in a baroque
style, the verse poems collected in "The Last Book of Madrigals" explore
love. Jaccottet returns in spirit to Italy, the country which for him
symbolizes happiness and sensuality. As he evokes amorous attraction, he
conjures up Monteverdi's madrigals, one of Dante's little-known rhymes,
and Giuseppe Ungaretti's last poem. Reinventing and commenting on these
works, Jaccottet meditates on old age, approaching death, despair, and
the persistence of love.
Together, both works grapple with devastating darkness, but as Tappy
observes in her afterword, however, Jaccottet's "greatest force" was
"his perpetually renewed desire, during the most terrifying night, to
head for the light."
