The first comprehensive survey of the artist's practice to date,
including Horton's major works Doctor Strangelove, Oracle, Sligo Heads
and Drawing of A History of World War One. A predominantly visual
monograph, the book traces Horton's multimedia practice, encompassing
improvised sculpture, animation and set design?exploring, in Art Critic
Matthew Higgs? words, ?the fundamental pleasures of making and
unmaking?. Horton's concern with issues of consumer culture?particularly
in the field of film?has informed his experimentation with commonplace
and everyday objects, and the limits of technology in relation to
representation. He explores the conflicted relationship between high and
low cultures, issues of translation, imitation and transformation, and
his self-referential work reflects and draws on a dark personal sense of
humour. The publication is supported by Jessica Bradley Gallery
(Toronto), MacLaren Art Centre and The Southern Alberta Gallery.