The Kota people, who live in Gabon in the coastal area of western
equatorial Africa, have developed an astonishing creativity in
representations of their ancestors. Dreamlike figures combine a sharp
sense of stylized reality tending toward abstraction with an
extraordinary and imaginative use of copper, tin, and iron for purposes
of decoration. But what seems at first to have been a matter of
aesthetic taste has in fact a symbolic function, as most of the
decorative motifs and the choice of the technique are linked to the
kinship system or religious beliefs. The reliquary figures and
initiation masks of the Kota and Mbete served both as aide-mémoires
and as instruments useful in arousing the forces of the netherworld
among the Gabonese and Congolese in times past. Together with the Fang
byeri and other nkisi punu, they have gradually become the
time-honored emblems of a culture paying tribute to ancestral values of
the peoples of the African equatorial forest.