I want to get rid of Kanoko/I want to get rid of filthy little Kanoko/I
want to get rid of or kill Kanoko who bites off my nipples.
A landmark dual collection by one of the most important contemporary
Japanese poets, in a "generous and beautifully rendered" translation.
Now widely taught as a feminist classic, KILLING KANOKO is a defiantly
autobiographical exploration of sexuality, community, and postpartum
depression. Featuring some of her most famous poems, Ito writes in a
defiantly autobiographical manner: Kanoko is Ito's oldest child.
WILD GRASS ON THE RIVERBANK won the 2006 Takami Jun Prize, which is
awarded each year to an outstanding, innovative book of poetry. Set
simultaneously in the California desert and Japan, this collection
focuses on migration, nature, and movement. At once grotesque and
vertiginous, Itō interweaves mythologies, language, sexuality, and place
into a genre-busting narrative of what it is to be a migrant.
"Japan's most prominent feminist poet" - Poetry Foundation