Born in Japan, acclaimed Seattle artist Kenjiro Nomura (1896-1956) came
to the United States as a child of ten, received artistic recognition by
age twenty, and in the 1930s became the best-known artist of Japanese
descent in the Northwest, his artwork widely exhibited regionally and
nationally. Along with more than one hundred thousand Japanese Americans
from the West Coast, Nomura was incarcerated during the war but
continued to paint, leaving a visual record grounded in place and
circumstance. In postwar years he developed a new abstract style that
brought him recognition once again.
In Kenjiro Nomura, American Modernist, Barbara Johns presents Nomura's
life and artistic achievement within their historical context. Her
account depicts Seattle as a stronghold of prewar Issei artistic
activity, and Nomura's work as providing a meaningful contribution to
the history of American art. The book is generously illustrated with
artwork tracing Nomura's entire career. David F. Martin, curator of the
Cascadia Art Museum, expands the context of Nomura's accomplishment with
an account of the artists with whom Nomura associated.
This publication is distributed for the Cascadia Art Museum.