Part of a curated collection of forgotten works by early to
mid-century women writers, the British Library Women Writers series
highlights the best middlebrow fiction from the 1910s to the 1960s,
offering escapism, popular appeal, and plenty of period detail to amuse,
surprise, and inform.
Oh God, one should not go to parties, Daisy sighed, sinking in wan
defeat in the melancholy dawn. One should not mingle with others; one
should keep oneself to oneself...'
Lying awake after a hotel party on holiday in the Mediterranean, Daisy
Simpson reflects on her lackluster social performance and muses on the
impression her confident and graceful half-sister Daphne may have made
on the other guests. What is it that makes Daphne, Daphne and Daisy,
Daisy? And which of the two will attract the attentions of one of their
hosts, Raymond, whom they have both fallen for?
Returning to London, Daisy's life is strained by the efforts of
presenting the right elements of her personality to the right people,
resulting in embarrassments, difficulties and deceits as she navigates
her relationships and social standing.
Rose Macaulay's novel, first published in 1928, offers a sharp and witty
commentary on how we twist our identities to fit, delivered in an
intelligent and innovative style.