Tom Stoppers's play "Jumpers" is both a high-spirited comedy and a
serious attempt to debate the existence of a moral absolute, of
metaphysical reality, of God. Michael Billington in "The Guardian"
described the play succinctly: "The new Radical Liberal Party has made
the ex-Minister of Agriculture Archbishop of Cantebury, British
astronauts are scrapping with each other on the moon, and spritely
academics steal about London by night indulging in murderous gymnastics:
this is the kind of manic, futuristic, topsy-turvy world in which
Stoppard's dazzling new play is set. And if I add that the influences
apparently include Wittgenstein, Magritte, the Goons, Robert Dhery, Joe
Orton, and The Avengers, you will have some idea of the heady brew
Stoppard has here concocted." The protagonist incude an aging Professor
Of Moral Philosophy -- trying to compose a lecture on "Man -- Good, Bad
or Indifferent" -- while ignoring a corpse in the next room; his
beautiful young wife, an ex-musical comedy Queen, lasciviously
entertaining his university boss down the hall; her husband's specially
trained hare, Thumpers; and a chorus of gymnasts, Jumpers.