Taking its title from the cult horror movie classic, Jonathan Aaron's
third book, Journey to the Lost City, is a work of sharp wit, irony,
and disarming tenderness. Cool, metaphysically quizzical, almost
Eastern-European in sensibility, Aaron's poems are a far cry from the
dull, personal anecdotal quality that infects so much contemporary
poetry. Savvy, intelligent, personal yet reserved, they take us on
imaginative forays into a world where time swirls the past into the
present, juxtaposing historical persons and places with the here and
now. This allows the poet to speak with a weird authority that's both
wholly American and timeless, intimate yet without the intrusion of a
confiding individual self.
Aaron is a poet whose work is well known and admired by poets but has
not yet reached the larger audience it deserves, though his poems have
appeared numerous times in Best American Poetry and his second book,
Second Sight, was a National Poetry Series winner. He is a frequent
contributor to The New York Review of Books, The Times Literary
Supplement, and the London Review of Books, as well as the Boston
Globe, and has taught for many years at Emerson College. Journey to
the Lost City is his first book since 1992. It has been eagerly awaited
by his fans, and will introduce new readers to a poet of great range and
stature.