During the late Soviet period, the art collective known as the Mitki
emerged in Leningrad. Producing satirical poetry and prose, pop music,
cinema, and conceptual performance art, this group fashioned a playful,
emphatically countercultural identity with affinities to European
avant-garde and American hippie movements.
More broadly, Alexandar Mihailovic shows, the Mitki pioneered a form of
political protest art that has since become a centerpiece of activism in
post-Soviet Russia, most visibly today in groups such as Pussy Riot. He
draws on extensive interviews with members of the collective and
illuminates their critique of the authoritarian state, militarism, and
social strictures from the Brezhnev years to the present.