Composer Johanna Beyer's fascinating body of music and enigmatic life
story constitute an important chapter in American music history. As a
hard-working German émigré piano teacher and accompanist living in and
around New York City during the New Deal era, she composed plentiful
music for piano, percussion ensemble, chamber groups, choir, band, and
orchestra. A one-time student of Ruth Crawford, Charles Seeger, and
Henry Cowell, Beyer was an ultramodernist, and an active member of a
community that included now-better-known composers and musicians. Only
one of her works was published and only one recorded during her
lifetime. But contemporary musicians who play Beyer's compositions are
intrigued by her originality.
Amy C. Beal chronicles Beyer's life from her early participation in New
York's contemporary music scene through her performances at the Federal
Music Project's Composers' Forum-Laboratory concerts to her unfortunate
early death in 1944. This book is a portrait of a passionate and
creative woman underestimated by her music community even as she
tirelessly applied her gifts with compositional rigor.
The first book-length study of the composer's life and music, Johanna
Beyer reclaims a uniquely innovative artist and body of work for a new
generation.