Using painting, drawing, and abstraction as markers of a space outside
verbal description, Jessica Dickinson examines the slow exchanges
between perception, matter, and psychology that develop in peripheral
spaces. Each of her works is developed slowly, meditatively, through
procedures that work toward a compressed measure of time that echoes the
shifts in what is seen, both inwardly and outwardly.
Under Press. With-This Hold- Of-Also Of/How Of-More Of: Know presents
eight paintings and their "remainders"--graphite rubbings made of the
paintings. Every time the surface of the paintings changes
significantly, a graphite impression is made to transcribe the surface.
These works in turn map the transitive passages of the paintings,
becoming their indexes, unfolding time in a sequence while asserting the
materiality of the paintings.
Published in conjunction with an exhibition at James Fuentes Gallery,
New York, the book's 46 color and 107 b&w reproductions are accompanied
by an essay by curator Debra Singer and an interview with the artist by
Patricia Treib.