This is the first full-length study of Jeanette Winterson's complete
oeuvre, offering detailed analysis of her nine novels as well as
addressing her non-fiction and minor fictional work. Susana Onega
combines the study of formal issues such as narrative structure,
perspective and point of view with thematic analyses approached from a
variety of theoretical perspectives, from narratology and feminist
theory to Hermetic and Kabalistic symbolism, to provide a comprehensive
'vertical' analysis of Winterson's novels.
Onega reveals the books as complex linguistic artefacts, crammed with
intertextual echoes. She demonstrates the inseparability of form and
meaning within Winterson's work, and positions her within the wider
context of contemporary British fiction alongside fellow visionaries
such as Peter Ackroyd, Maureen Duffy and Marina Warner.