For well over a decade, Jean-Pierre and Luc Dardenne have produced
highly original and ethically charged films that immerse their audiences
in an intense and embodied viewing experience. Their work has
consistently attracted international recognition, including the rare
feat of two Palmes d'Or at Cannes.
In this first book-length study of the Belgian brothers, Joseph Mai
delivers sophisticated close analyses of their directorial style and
explores the many philosophical issues dealt with in their films
(especially the ethics of Emmanuel Levinas). Mai discusses the
Dardennes' varied and searching career from its inception in the late
1970s, starting with the working-class political consciousness and lost
utopias of their documentary period; passing through their transition
toward fictional narrative, experimental techniques, and familial
themes; and finishing with a series of in-depth and philosophically
informed interpretations of the brothers' more recent work. In such
highly influential films such as La promesse, Rosetta, The Son, and
The Child, the brothers have recast filmmaking through what Mai calls
a "sensuous realism"--realism capable of touching the audience with the
most compelling problems and moral dilemmas of contemporary society.
This volume also features an interview in which the Dardennes discuss
their approach to film production and the direction of actors.