What happens when you invite as many jazz musicians as you can to pose
for a photo in 1950s Harlem? Playful verse and glorious artwork capture
an iconic moment for American jazz.
When Esquire magazine planned an issue to salute the American jazz
scene in 1958, graphic designer Art Kane pitched a crazy idea: how about
gathering a group of beloved jazz musicians and photographing them? He
didn't own a good camera, didn't know if any musicians would show up,
and insisted on setting up the shoot in front of a Harlem brownstone.
Could he pull it off? In a captivating collection of poems, Roxane
Orgill steps into the frame of Harlem 1958, bringing to life the
musicians' mischief and quirks, their memorable style, and the vivacious
atmosphere of a Harlem block full of kids on a hot summer's day. Francis
Vallejo's vibrant, detailed, and wonderfully expressive paintings do
loving justice to the larger-than-life quality of jazz musicians of the
era. Includes bios of several of the fifty-seven musicians, an author's
note, sources, a bibliography, and a foldout of Art Kane's famous
photograph.