The question of control for Black women is a costly one. From 1986
onwards, the trajectory of Janet Jackson's career can be summed up in
her desire for control. Control for Janet was never simply just about
her desire for economic and creative control over her career but was,
rather, an existential question about the desire to control and be in
control over her bodily integrity as a Black woman.
This book examines Janet's continuation of her quest for control as
heard in her sixth album, The Velvet Rope. Engaging with the album,
the promotion, the tour, and its accompanying music videos, this study
unpacks how Janet uses Black cultural production as an emancipatory act
of self-creation that allows her to reconcile with and, potentially,
heal from trauma, pain, and feelings of alienation. The Velvet Rope's
arc moves audiences to imagine the possibility of what emancipation from
oppression--from sexual, to internal, to societal--could look like for
the singer and for others. The sexually charged content and themes of
abuse, including self-harm and domestic violence, were dismissed as
"selling points" for Janet at the time of its release. The album stands
out as a revelatory expression of emotional vulnerability by the singer,
one that many other artists have followed in the 20-plus years since its
release.