This book offers an in-depth analysis of Janelle Monáe's Dirty
Computer, an Afrofuturist project that appeared simultaneously as a
concept album and a visual album or "emotion picture" in spring 2018. In
the previous decade, Janelle Monáe has developed into a global media
personality who effortlessly unites speculative world-building with
social and political activism. Across the intersecting album and film
that together make up Dirty Computer, Monáe brings together the
science-fictional themes that informed her previous work, resulting in a
powerfully focused artistic and political statement. While the music on
the album can be enjoyed as an accessible collection of pop tracks, the
accompanying film, music videos, and media paratexts add layers of
meaning that combine speculative world-building with anti-racist
activism. This unique convergence of energies, ideas, and media
platforms has made Dirty Computer a new classic of Afrofuturist
science fiction.