Jane Austen's Art of Memory offers a radical new thesis about Jane
Austen's construction of her art. It argues that, with the help of her
tenacious memory, she engaged in friendly dialogue with her
predecessors, the English writers, a process that the eighteenth century
called 'imitation'. Her allusions, far from being random, thicken and
complicate her novels in a manner that is poetic rather than mimetic.
Difficult critical cruxes resolve when her books are set within her own
great tradition which included Locke, Richardson, Milton, Shakespeare,
and (unexpectedly) Chaucer, and she is found to be an educated and
supremely conscious writer.