The nineteenth century medal series The Greatest Edifices of Europe by
Belgian engraver-medalist Jacques Wiener is examined in detail. The work
begins by providing a biographical background for Wiener, integrating
two primary, existing sources. The overall medal series is then
addressed starting with its inception as defined in Wiener's original
1854 prospectus through its quietly incomplete conclusion. The scope of
the series, its range of issue dates, and elements and characteristics
of its production are presented. For each edifice commemorated, the
associated medals, including new and unpublished varieties, are
presented, legends translated, die characteristics examined,
contemporary supporting documentation cited, issue dates revised, and
source images used by the artist are identified in limited cases. Where
applicable, instances of divergence between the state of the actual
monument and Wiener's renderings are noted as well. The intent of the
work is to provide a greater understanding of the medal series through a
contextual approach.