The RF 1475-1556 Louvre Album is universally regarded as a corpus of
drawings that was executed by the Venetian painter Jacopo Bellini. The
album's trajectory prior to coming into the possession of the Bellini
family is elucidated in the present book. Based on Norberto Gramaccini's
interpretation, it was the Paduan painter Francesco Squarcione who was
the mastermind and financier behind the drawings. The preparatory work
had actually been delegated to his most gifted pupils, among them Andrea
Mantegna, Jacopo Bellini´s future son-in-law. The drawing's topics
--anatomy, perspective, archeology, mythology, contemporary chronicles,
and zoology --were part of the teaching program of an art academy
established by Squarcione in the 1440s, famous in its day, which
provided crucial impulses for the training of artists in the modern era.