Anton Chekhov was a master whose daring work revolutionized theater, and
this was as true of Ivanov, his first full-length play, as of The
Cherry Orchard, his last. Building on the success of his acclaimed
adaptation of The Seagull, Tom Stoppard returns to Chekhov and the
themes of bitter social satire, personal introspection, and the
electrifying atmosphere of Russia on the brink of change. In these two
new versions, Stoppard brings his crisp and nimble style to two
masterpieces of the modern theater. Ivanov is a portrait of a man
plagued with self-doubt and despair. Considered one of Chekhov's most
elusive characters, he seeks more in life than the selfabsorption and
ennui he sees in his contemporaries. Tormented by falling out of love
with his dying Jewish wife, Ivanov, on her death, proposes to the young
daughter of his neighbor, but, as the wedding party assembles, a final
burst of his habitual indecisivness has fatal results.