Sean O'Brien's follow-up to his celebrated collection Europa has a
vision as rich and wide-ranging as its predecessor. Set against shorter,
ruthlessly focused pieces--vicious and scabrous political sketches and
satires charting the growth of extremism and the disintegration of
democracy--are meditations on the imaginative life, dream and
remembrance, time and recurrence. There are elegies for friends and
fellow poets; paranoiac, brooding pastorals; other poems lay bare the
maddening trials of a historically literate mind as it attempts to
navigate a world gone post-content, post-intellectual, and at times
post-memory. At the center of the book is the long poem Hammersmith, a
shadowy, cinematic dream-vision of England during and since World War
II. Here, O'Brien charts a psychogeographic journey through the English
countryside and the haunted precincts of London, mapping a labyrinth of
love, madness and lost history. The result is a stirring, illuminating
document of a time of immense societal flux and upheaval by one of our
finest poets and most insightful cultural commentators.