Although Isak Dinesen has been widely acclaimed as a popular writer, her
work has received little sustained critical attention. In this
revisionist study, Susan Hardy Aiken takes up the complex relations of
gender, sexuality, and representation in Dinesen's narratives. Drawing
on feminist, psychoanalytic, and post-structuralist theories, Aiken
shows how the form and meaning of Dinesen's texts are affected by her
doubled situations as a Dane who wrote in English, a European who lived
for many years in Africa, and a woman who wrote under a male pseudonym
within a male-centered literary tradition.
In a series of readings that range across Dinesen's career, Aiken
demonstrates that Dinesen persistently asserted the inseparability of
gender and the engendering of narrative. She argues that Dinesen's texts
anticipate in remarkable ways some of the most radical insights of
contemporary literary theories, particularly those of French feminist
criticism. Aiken also offers a major rereading of Out of Africa that
both addresses its distinctiveness as a colonialist text and places it
within Dinesen's larger oeuvre.
In Aiken's account, Dinesen's work emerges as a compelling inquiry into
sexual difference and the ways it informs culture, subjectivity, and the
language that is their medium. This important book will at last give
Isak Dinesen's work the prominence it deserves in literary studies.