Is it possible to "invent" the past? Through a series of studies, this
volume explores the history of how this process occurred in
Czechoslovakia within the period from about the end of the First World
War until the 1960s. It focuses specifically on the re-invention of the
"national" Middle Ages at the background of the meeting of different
linguistic and ethnic groups - Czechs, Slovaks, Germans, and Russians -
where one group would often negate, reshape, and ignore the point of
view of the other, within an increasingly fractured political geography
of the country. The presented case studies show how research on medieval
artworks and objects could become a fertile ground for the creation of
ideological tools and narratives. In this way, understanding the
historiography of art history also contributes to redefining Central
Europe as a place of transcultural encounters and dialogues, beyond
historical ruptures.