The cult of saints, their relics, and devotion to their shrines is a
phenomenon born in Late Antiquity that durably shaped medieval and
modern practices across a broad geographical and cultural area spreading
first throughout the Roman Empire and beyond. How was the creation of
vessels for the holy remains of saints implemented during a culturally
heterogenous period? Indeed, how could boxes of various shapes, sizes,
and materials become containers to shelter sacred matter? What materials
could be used in reliquaries' making, and what images should adorn them?
And how did reliquaries, with their geographical and social portability,
contribute to the translocation of site-bound sanctity and the spread of
saints' and shrines' networks across the Late Antique world? Tracing the
medieval reliquary's "pre-history", this volume examines boxes bearing
Christian images and patterns made between the fourth to the sixth
century ce. It investigates how vessels adorned with images acquired
meaning and power, exploring the dynamics of transformation that
accompany both the creation of these objects and their long history of
reuse, marginalization, and rediscovery.