Andrew Caine details the reaction to British and American pop films
during the 1950s and 1960s. By examining the British reception of films
such as Rock Around the Clock, Love Me Tender, A Hard Day's Night and
Summer Holiday the book provides a valuable insight into British film
criticism, teenage culture during the 1950s and 1960s and the generic
status of rock films/teen movies and cultural hierarchies. Interpreting
rock movies not only contains an extensive account of how the film and
music press reacted to rock 'n roll films, but also fully explores
issues about taste and distinction within reviewing practices. The movie
output of Elvis Presley, the Beatles, and numerous others is located
within the context of popular music during the 1950s and 1960s.