When the artist Hugo Dachinger asked to paint the portrait of diarist
Wilhelm Hollitscher, a new friendship was born. Both men, refugees from
the Nazis, were interned in the Huyton Internment Camp in 1940. However,
they refused to let the experience daunt them, with Dachinger
manufacturing his art materials from anything to hand and Hollitscher
continuing his life-long habit of diary keeping. Hollitscher's diary
provides a vivid account of daily life in the camp along with wider
political comment, while Dachinger staged exhibitions of his work in the
camp entitled Behind the Wire. Both men found being interned as an
'enemy alien' traumatic, but were able to draw strength from the
experience. The context is set by three chapters. Professor Charmian
Brinson writes about the history of internment and Churchill's shameful
policy to 'collar the lot, ' Rachel Dickson elucidates Dachinger's work
in the camp, and Ines Newman, the granddaughter of Wilhelm Hollitscher,
provides a portrait of her grandfather's background and life. The book
reveals the true experience of life in captivity and is as relevant to
today's injustices as it is an account of unjust treatment in the past.