This book explores the beginnings of the interior design profession in
nineteenth-century France. Drawing on a wealth of visual sources, from
collecting and advice manuals to pattern books and department store
catalogues, it demonstrates how new forms of print media were used to
'sell' the idea of the unified interior as a total work of art, enabling
the profession of interior designer to take shape. In observing the
dependence of the trades on the artistic and public visual appeal of
their work, Interior decorating in nineteenth-century France establishes
crucial links between the fields of art history, material and visual
culture, and design history.