Across the academy, disciplines flock for scientific status, keen to
demonstrate that their approach to their subject matter is scientific.
How might literary criticism achieve anything like this sort of
methodological consonance? Looking at the history of twentieth-century
attempts, from Northrop Frye's macrostructural systematizing and Roman
Jakobson's microstructural analysis, through to the collapse of the
structuralist project and the recent strategic embrace of evolutionary
psychology and cognitive science, this book looks at what hopes remain
for a science of literary criticism and draws on the work of such
thinkers as Richard Dawkins, Hilary Putnam, Richard Rorty, and Kurt
Vonnegut to investigate the consequences of adopting a scientific
perspective toward literary study. With an increasing number of
departments teaching literature and science courses, the question of
what literary study stands to gain (and what it might risk) from
cleaving to the sciences is especially pressing.