In Institutions of the English Novel, Homer Obed Brown takes issue with
the generally accepted origin of the novel in the early eighteenth
century. Brown argues that what we now call the novel did not appear as
a recognized single genre until the early nineteenth century, when the
fictional prose narratives of the preceding century were grouped
together under that name.
After analyzing the figurative and thematic uses of private letters and
social gossip in the constitution of the novel, Brown explores what was
instituted in and by the fictions of Defoe, Fielding, Sterne, and Scott,
with extensive discussion of the pivotal role Scott's work played in the
novel's rise to institutional status. This study is an intriguing
demonstration of how these earlier narratives are involved in the
development and institution of such political and cultural concepts as
self, personal identity, the family, and history, all of which
contributed to the later possibility of the novel.