Nearly a decade after his triumphant Charlie Chan biography, Yunte Huang
returns with this long-awaited portrait of Chang and Eng Bunker
(1811-1874), twins conjoined at the sternum by a band of cartilage and a
fused liver, who were "discovered" in Siam by a British merchant in
1824. Bringing an Asian American perspective to this almost implausible
story, Huang depicts the twins, arriving in Boston in 1829, first as
museum exhibits but later as financially savvy showmen who gained their
freedom and traveled the backroads of rural America to bring
"entertainment" to the Jacksonian mobs. Their rise from subhuman,
freak-show celebrities to rich southern gentry; their marriage to two
white sisters, resulting in twenty-one children; and their owning of
slaves, is here not just another sensational biography but a
Hawthorne-like excavation of America's historical penchant for finding
feast in the abnormal, for tyrannizing the "other"--a tradition that, as
Huang reveals, becomes inseparable from American history itself.