From within the frame of visual arts education, this collection examines
differing and overlapping identities found in higher education. The
authors explore expanding relationships of identity-based thinking. They
show through their research and work how inclusion debates on race,
gender, class and access are extended by adopting intersectional theory.
The case studies drawn from visual arts education are applicable to
wider education settings and will interest higher education theorists
and equality and diversity specialists as well as arts practitioners,
gallery educators and the informal arts education sector. This book is
partner to Towards an Inclusive Arts Education (2015), also edited by
Kate Hatton.