In Transit, Nicholas Pierce's debut poetry collection, charts the
poet's maturation across three sections, each centering on a different
kind of love, from the pedagogical to the romantic to the familial. Form
and subject are inseparable in poems that consider the complex power
dynamic of an older man befriending a younger one, that draw on such
classic texts as Plato's Symposium and Homer's Odyssey to make sense
of the seemingly random encounters and missed chances that, as one poem
puts it, "make up a life."
As the book's title suggests, these poems take place on the move, in
cars, on boats and planes. They find the speaker abroad, as in "The
Death of Argos," a sonnet sequence that invents a new configuration for
the form. Above all, though, the poems of In Transit attempt to
capture a world in flux, turning to form as a stay against the
transitory nature of experience.