The title of Michael Van Walleghen's new collection evokes thematic
preoccupations that have shadowed him throughout his long career.
Appearing as a phrase in the poems themselves, In the Black Window
more generally points to Van Walleghen's enduring interest in the
intersection between inner and outer worlds of experience--those liminal
moments in other worlds where we become aware of ourselves. We live at
once in a strictly personal, material dimension but also in a distinctly
spiritual one. Yet, when looking from a lighted kitchen into a
night-black window on a winter evening, we might perhaps become suddenly
aware not only of our own reflection, but also of our complicity in some
deeper mystery altogether.