Inspired by "Mrs. Tolstoy and Mrs. Dostoevsky, whose biographies about
their husbands have now been published in Prague," Bohumil Hrabal
decided to produce his own autobiographical work, ostensibly fiction,
from his wife's point of view. He would write, he said, "not a putdown
about myself, but a little bit of how it all was, that marriage of ours,
with myself as a jewel and adornment of our life together."
The task, taken up by such a rogue comic talent, could be nothing other
than strangely delightful; and in In-House Weddings, the first of the
trilogy that Hrabal produced, we meet the author through the eyes of his
wife Eliska. She narrates his life from his upbringing in Nymburk
through his work as a dispatcher in a train station and then in a scrap
paper plant, his first publication, his trouble with the authorities,
and his association with notable artists and authors such as Jiri Kolar,
Vladimir Boudnik, and Arnost Lustig. Hrabal's bohemian life was itself a
source of great interest to the Czech public; transmuted here, it is
even more compelling, a wry portrait of artistic life in postwar Eastern
Europe and a telling reflection on how such a life might be recast in
the light of literary brilliance.