Cultural heritage and national identity have been significant themes in
debates concerning Central Asia following the dissolution of the Soviet
Union, not only in academic circles, but more importantly among the
general public in the newly independent Central Asian states. Inspired
by insights from a popular form of traditional cultural performance in
Kyrgyzstan, this book goes beyond cultural revival discourse to explore
these themes from a historically informed anthropological perspective.
Based on fourteen months of fieldwork and archival research in
Kyrgyzstan, this historical ethnography analyses the ways in which
political elite in Central Asia attempts to exercise power over its
citizens through cultural production from early twentieth century to the
present.