It is often forgotten just how provocative and unsettling impressionist
canvases seemed when they were first exhibited in 1874. Critics,
professional artists, and gallery visitors alike were shocked to
encounter the unorthodox paintings on display, with their seemingly
unfinished surfaces and lack of any elements of traditional composition.
The advocates of this new approach rejected nearly all the established
principles and practices of oil painting prevalent at that time in
France.
Tracing the origins and history of impressionism in a concise,
introductory volume, Ralph Skea highlights the major differences between
the new techniques and aesthetic principles of the impressionists and
the academic art they abhorred, and goes a step further in exploring the
original intellectual focus of the movement. Skea explores the
impressionists' desire to investigate their own sensory perceptions when
painting, which resulted in their unique "impressions."
An ideal companion for museum-goers, as well as those who are entirely
new to the subject, Impressionism weaves an engaging narrative around
a selection of striking illustrations, discussing the movement's
greatest artists, their works and where to find them.