A unique study that hones in on the cross-section and interdependency
of immigration and American cultural production
How does a 'national' popular culture form and grow over time in a
nation comprised of immigrants? How have immigrants used popular culture
in America, and how has it used them?
Immigration and American Popular Culture looks at the relationship
between American immigrants and the popular culture industry in the
twentieth century. Through a series of case studies, Rachel Rubin and
Jeffrey Melnick uncover how specific trends in popular culture--such as
portrayals of European immigrants as gangsters in 1930s cinema, the zoot
suits of the 1940s, the influence of Jamaican Americans on rap in the
1970s, and cyberpunk and Asian American zines in the1990s--have their
roots in the complex socio-political nature of immigration in America.
Supplemented by a timeline of key events and extensive suggestions for
further reading, Immigration and American Popular Culture offers at
once a unique history of twentieth century U.S. immigration and an
essential introduction to the major approaches to the study of popular
culture. Melnick and Rubin go further to demonstrate how completely and
complexly the processes of immigration and cultural production have been
intertwined, and how we cannot understand one without the other.