This volume brings together essays on the cultural expression of
apocalypse primarily in anglophone science fiction of the nineteenth and
20th centuries. Focusing on themes, writers, and individual works, the
contributors examine the relations between secular and spiritual
apocalypse, connecting the fiction and films to their historical moment.
Not surprisingly, war recurs throughout this material, as a critical
turning-point, fulfillment of prophecy, or prelude to a new age. Among
the writers covered are H.G. Wells, Olaf Stapledon, and such
contemporary figures as Michael Moorcock, J.G. Ballard, and Storm
Constantine.