In contemporary society, digital images have become increasingly mobile.
They are networked, shared on social media, and circulated across small
and portable screens. Accordingly, the discourses of spreadability and
circulation have come to supersede the focus on production,
indexicality, and manipulability, which had dominated early conceptions
of digital photography and film. However, the mobility of images is
neither technologically nor conceptually limited to the realm of the
digital. The edited volume re-examines the historical, aesthetical, and
theoretical relevance of image mobility. The contributors provide a
materialist account of images on the move - ranging from wired
photography to postcards to streaming media.