This volume contains the insights of prominent artists in the field as
well as critical writings by scholars and critics. It illustrates the
complex, heterogeneous nature of video, and highlights its strong ties
to the visual arts and social theory. While providing an essential
critical context for understanding video's role as art, these writings
show that video is at the forefront of contemporary cultural and
aesthetic discourse. Using a wide range of strategies, from the poetic
to the deconstructive, these essays provide a long overdue critical
context in which to evaluate video as art and its subsequent impact on
social and cultural behavior.