This richly illustrated study addresses the essential first steps in the
development of the new phenomenon of the illuminated book, which
innovatively introduced colourful large letters and ornamental frames as
guides for the reader's access to the text. Tracing their surprising
origins within late Roman reading practices, Lawrence Nees shows how
these decorative features stand as ancestors to features of printed and
electronic books we take for granted today, including font choice, word
spacing, punctuation and sentence capitalisation. Two hundred
photographs, nearly all in colour, illustrate and document the decisive
change in design from ancient to medieval books. Featuring an extended
discussion of the importance of race and ethnicity in twentieth-century
historiography, this book argues that the first steps in the development
of this new style of book were taken on the European continent within
classical practices of reading and writing, and not as, usually
presented, among the non-Roman 'barbarians'.