For many artists and writers, the art of Paul Cézanne represents the key
to modernity. His paintings were a touchstone for writers such as Samuel
Beckett as much as for artists such as Henri Matisse. Rainer Maria Rilke
revered him deeply, as did Pablo Picasso. They thought if they lost
touch with his sense of life, they lost an essential element of their
own self-understanding.
In If These Apples Should Fall, celebrated art historian T. J. Clark
looks back on Cézanne from our current moment when such judgments need
justifying. What was it, he asks, that held Cézanne's viewers
spellbound?
At the heart of Cézanne's work lies a sense of disquiet: a hopelessness
haunting the vividness, an anxiety beneath the splendid colors. Clark
addresses this strangeness head-on, examining the art of Camille
Pissarro, Matisse, and others in relation to Cézanne's. Above all, he
speaks to the uncanniness and beauty of Cézanne's achievement.