In this survey Ian McEwan emerges as one of those rare writers whose
works have received both popular and critical acclaim. His novels grace
the bestseller lists, and he is well regarded by critics, both as a
stylist and as a serious thinker about the function and capacities of
narrative fiction.
McEwan's novels treat issues that are central to our times: politics,
and the promotion of vested interests; male violence and the problem of
gender relations; science and the limits of rationality; nature and
ecology; love and innocence; and the quest for an ethical worldview. Yet
he is also an economical stylist: McEwan's readers are called upon to
attend, not just to the grand themes, but also to the precision of his
spare writing.
Although McEwan's later works are more overtly political, more humane,
and more ostentatiously literary than the early work, Dominic Head
uncovers the continuity as well as the sense of evolution through the
oeuvre. Head makes the case for McEwan's prominence - pre-eminence,
even - in the canon of contemporary British novelists.