Falling somewhere between Louisa May Alcott's Little Women and Federico
Garcia Lorca's The House of Bernarda Alba, Hunting the Last Wild Man
tells the story of Candela and her extended family of nine women. Our
protagonist has had her disappointments in love and floats from one job
to another, ending up at the local mortuary as an apprentice embalmer.
There she can tuck herself away from the everyday hubbub of life's
demands.
Late one night Candela finds she must work on the father of a gypsy
clan, who has left instructions that he must be buried with his cane.
Her days are changed forever when she discovers that the cane holds more
than just the old man's wishes.
With rich images suggestive of an Almódovar film, with emotional depth
and intelligence, Vallvey explores the modern woman's cynicism, as
Candela attempts to integrate an impossibly marvelous stranger into her
life.