Humming is a ubiquitous and mundane act many of us perform. The fact
that we often hum to ourselves, to family members, or to close friends
suggests that humming is a personal, intimate act. It can also be a
powerful way in which people open up to others and share collective
memories. In religious settings such as Tibetan chanting, humming offers
a mesmerising sonic experience. Then there are hums that resound
regardless of human activity, such as the hums of impersonal objects and
man-made or natural phenomena.
The first sound studies book to explores the topic of humming, Humming
offers a unique examination of the polarising categories of hums, from
hums that are performed only to oneself, that are exercised in religious
practice, that claim healing, and that resonate with our bodies, to hums
that can drive people to madness, that emanate from cities and towns,
and that resound in the universe. By acknowledging the quirkiness of
hums within the established discourse in sound studies, Humming takes
a truly interdisciplinary view on this familiar yet less-trodden sonic
concept in sound studies.