Hua-yen is regarded as the highest form of Buddhism by most modern
Japanese and Chinese scholars. This book is a description and analysis
of the Chinese form of Buddhism called Hua-yen (or Hwa-yea), Flower
Ornament, based largely on one of the more systematic treatises of its
third patriarch. Hua-yen Buddhism strongly resembles Whitehead's process
philosophy, and has strong implications for modern philosophy and
religion. Hua-yen Buddhism explores the philosophical system of Hua-yen
in greater detail than does Garma C.C. Chang's The Buddhist Teaching of
Totality (Penn State, 1971). An additional value is the development of
the questions of ethics and history. Thus, Professor Cook presents a
valuable sequel to Professor Chang's pioneering work. The Flower
Ornament School was developed in China in the late 7th and early 8th
centuries as an innovative interpretation of Indian Buddhist doctrines
in the light of indigenous Chinese presuppositions, chiefly Taoist.
Hua-yen is a cosmic ecology, which views all existence as an organic
unity, so it has an obvious appeal to the modern individual, both
students and layman.